Greetings, everyone. I know I've been away for months and months,
so let's see if I can quickly sum up all that's been happening.
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| Experimenting with Transitions |
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| First Success |
In June, I had my last day of work after a 3-year contract. After job hunting, I was pleased
to find a new position to start immediately after the July 4th holiday. So yes, good news:
New job. Unusual news: Really long commute. It's not actually my longest mileage commute, but
it is my longest time-on-the-clock commute. I don't mind driving, but it has been a challenge
to juggle the hours missing from my schedule to be productive and crafty.
In October, I was part of the organizational staff for a large camping
event. For fun and relaxation, I dug out an old UnFinished-Object (UFO)
to work on some lazy afternoon at the event. I didn't bring any
instruction with me, just a class sampler of card-weaving, warped up on
my inkle loom, dusty and ignored for two years since I had last taken a
class. I could not actually figure out the solution while I was camping,
but my interest was kindled, and I was *determined* to solve the puzzle
when I returned home.
This red, white, and black sampler consumed my brain. I finally remembered enough
from my classes, and consulted the handouts from both Bridget's and Aldgytha's
classes, until I solved the riddles. Along the way, I came up with my own
mnemonic phrases to keep track with turns were next in the pattern. By the
time I completed the sampler, I was completely weaving without a printed pattern.
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| Finished first sample, fuzzy sampler on the loom |
My next tasks included: Learning to understand how the stitches work, how to chart
the patterns (and design new patterns), and then warp a project all on my own
without any assistance.
To understand the stitches, I warped up four cards with the bulkiest, fuzzy yarn in
my stash. The stitches were bold and easy to see, chart, examine, and understand.
Then I stayed up late drawing by hand, drawing on the computer, charting in
spreadsheets, and experimenting until I found the best way to make notes about
card-weaving patterns. I also went online to find some card-weaving (tablet-weaving)
software I'd seen several years ago. Turns out that
Guntram's
Tablet-Weaving Thingy charts patterns almost the same way I had been sketching
over dinner one evening. I'm glad I went to the trouble to figure out charting methods.
Now all the resources on the internet and in my library make more sense, having
invented the wheel once myself, too.
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| Failed sampler. Nothing looks right, including one yarn needs to go entirely. |
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| "Lessons Learned" sampler set aside, warp cut and ready to remove from the loom. |
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| Salvaging the warp threads from the cut "lessons learned" sampler. The brown was tossed out. |
Next: warping a loom from scratch. I was actually somewhat relieved to have my first failed
"need to cut it off the loom" experience.
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| Houston, we have a problem. Those should be closed circles. |
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| This looks promising. |
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| Yeah, I got this. *grin* |
Now I'm trying to write up my lessons learned, for my own handouts or crib notes. Several card-weavers and textile artists around me are looking forward to seeing how I solved these tricks. And I'm happily enjoying yet another way to play with string.
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